I’ve been away from social media quite a lot lately. And that’s okay. I have decided to treat this year as one of transition, rather in the manner of AD69 (the year of the four emperors), although considerably less bloody. Hopefully, less bloody.
I haven’t written anything new this year, yet. I have been editing, polishing, tweaking. I will be submitting again, too. I have been having some seriously odd dreams. And I am LOVING being the mother of an eleven-and-a-half year old girl when there is so much excellent stuff by Joss Whedon to show her. We’re up to Season 5 of Buffy The Vampire Slayer, and have been to see Avengers: Age of Ultron, twice. The other night I showed her the first Iron Man flick. And she loves it, and she gets it, and it’s all brilliant, and to use her word, EPIC. I’m smiling as I type this, just thinking about what she has yet to see, and how much she is going to love it.
The other thing I have been doing, is reading. I recently finished The Waterborne Blade, by my very good friend Susan Murray (Angry Robot Books, 9780857664358) Once upon a time, before I had my daughter, and could still burn the candle at both ends without serious repercussions (so about 12 years ago…) I would have devoured this book in one night, and then kicked myself for not drawing it out longer because the next instalment will not be published for another year. As it was, I managed to eke out the reading of it, even deliberately slowing down, in order to prolong the enjoyment of it. For this is fast-paced fantasy of the highest order. The reader is plunged headfirst into court politics, and danger. There is no omniscient narration, so no sense of Destiny hooded and cloaked walking the land signposting all the important things that haven’t happened yet. We see the land – and the situations – as and when the main characters see them, depending on whose head we’re in at the time. Any references to the past are momentary and incomplete, acts of memory triggered by scene, or scenario: a nice touch of realism that prevents heavy info-dumping, and keeps the pace going. Not once does it slow down. Because the chapters are short, the level of tension is consistently maintained – rather like a steady hand turning the rack (can’t think why I thought of that simile!). The plot is anything but predictable, and the characters properly rounded. There is mystery, and magic, and the practicalities of life on the open road (people actually need to pee). I found that I cared a good deal about Alwenna, alternately infuriated and worried by her, and by Ranald Weaver, the Kingsman whose loyalty is tested and divided and tested again. In short, this is epic, intelligent fantasy that doesn’t rely on excessive sex and violence to pad it out. Read it! But don’t rush it – there’s at least a year to wait for the sequel.